If I had a complaint, these two really went all out with the speed of execution, that you just want to beg the camera to stay put from afar in slow motion to allow us all to gaze. Naturally, not to offend real life practitioners means the result of the fight would be understood, but to see Donnie Yen and Sammo Hung match up against one another, is an action film fan's dream come true again, from SPL, especially after Ip Man dispenses with the side show phonies. But the number one action sequence, albeit a little bit short, would be that which you've been teased by the trailer, with Ip Man versus Sammo's Hung Jan Nam mano a mano atop a flimsy table, in what would be Wing Chung versus Hung Ga Kuen. Two scenes which stood out involves Shahlavi's battle with the Chinese grandmasters, and frankly, despite being a "boxing" match, it was really imaginative of Sammo to deliver something that's quite different from the usual action sequences in Chinese films involving battling a Caucasian in a ring. I didn't enjoy the fish market brawl, as I didn't take to Ip Man fighting with an unruly horde, except that there's a moment of truth there when he shows by example his philosophy of "running away" (not that he's a coward) which continues from where he left off from an answer to Wong Leung. Action choreography continues to be designed by Sammo Hung, and personally three action sequences stand out. Darren Shahlavi who portrays Twister the boxer, gets top marks for making you all riled up with his constant air of superiority. It's that sense of deja-vu that you fear arising from a similar situation from its predecessor, but thankfully, we get a fight that's quite compelling to watch, with Ip Man now being properly challenged by an opponent who's skilled with plenty of power and dexterity, with that lack of honour in dishing out a fair fight. The second half of the film, with what we've seen in the trailers involving yet another East versus West matchup that have been covered in contemporary martial arts films and biopics like Fearless and True Legend, was quite the worry for me, in that it would be another opportunity for meaningless bashing and the championing of nationalistic messages. There's also time taken to devote to the corruption of Caucasian police officers, as well as how the Chinese used to fight their own, before learning to unite in the face of stronger, external opponents out to humiliate and insult long held values because of ignorance and prejudice. In essence, which of the lesser evils are you willing to compromise on. Forced by honor to enter a brutal "King of the Ring" boxing match against Twister, it's East versus West in an amazing, knock-down drag-out fight to the finish, the likes of which have never been seen on-screen before.Edmond Wong's screenplay, like the first film, focused more on drama and had moments where questions such as integrity and the living of one's life according to ideals get raised, whether it is, for the sake of the greater good, worthwhile to forgo those ideals in order to make a living, and allow those who work for you, to make something out for themselves too. Hong Kong under British rule is a world of corruption, and when a Western-style boxer named Taylor "Twister" Milos comes to town to entertain the British upper-class, and insults both Chinese martial arts and the native citizens in a horrifically violent way, Ip must step up and fight for the honor of both his kung fu and the Chinese people. But even after gaining the respect of the masters, Ip's troubles are far from over.
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But a corrupt cabal of Hong Kong martial arts masters, led by Hung Chun-nam (the legendary Sammo Hung), refuses to allow Ip to teach until he proves himself - and prove himself he does, in an intense series of fights against the masters showcasing a dazzling variety of martial arts styles, culminating in a highly anticipated brawl between Ip and Hung atop a rickety table. Ip wants to support his family by opening up a martial arts academy to teach his unique Wing Chun style.
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After escaping the Japanese occupation of his hometown of Fo Shan, China, Ip Man and his family have arrived in Hong Kong, which is living under the iron fist of British colonial rule.